How To Tell If You’re Vomiting.

Mainly, and most gratefully, there is that feeling of serenity that comes with the end of your internal expulsion.

Of course, this serenity is only some kind of a return to normality, as the beads of sweat wind their way down your brow, stinging your eyes, further down to and between your lips, now introducing a salty taste to the one that lingered- the flavour of the digested.

I don’t know about you, but I’m feeling descriptive today. How descriptive am I feeling? I don’t know- the feeling’s passed.

I have a habit of vomiting when I am unwell. People say that about me- “Must be unwell, I can hear him vomiting again. I hope he’s aiming it at something I don’t treasure much”.

That’s not all they say about me. I have many styles aside from throwing up, but it is the manner in which I do it that is memorable to those nearby. At least within earshot.

You see, it’s the same thing as my night-murmuring.

Lying on my back as I sleep in my bed each night (which I hear is fairly common) the breathing that I partake in makes mischief with those nearby. Again- at least within earshot.

As the breath makes its way from the lung out through the mouth, it trembles my vocal chords, causing me then to murmur.

“Eeeeeeeeeeerrrrrrrrrrrrrrrrrrrrr”.

Sometimes…“Uuuuuuuuuuuuuuuuuuuhhhhhhhhhhhhhhhhhhhhh”.

I apparently have very little interesting to say when I’m sleeping, or perhaps I’m simply dreaming about really hard sums and am letting people know by such inglorious vocals.

Either way, a quick jab into no particular part of me (aside from my coccyx…please spare my coccyx) generally causes me enough discomfort to either delay that pesky breathing for a while longer, or to adjust so that I breath at an alternative angle.

So as in the night- I murmur, throughout an illness I…sing…up.

On its way up and out, my vocal chords have a tendency to yelp in a muffled, ‘vomity’-way. Things really don’t tend to happen in a ‘vomity’ way unless vomit is directly involved. Let’s make the most of the term whilst we’re on the topic.

‘Vomity’ I am during this spell of sickness, and my singing voice is distinctly out of key, and distinctly out of place as I bend my body over the porcelain and dedicate this next number to all the pretty girls in the house.

They don’t appreciate the dedication.

One of my favourites is ‘Devil in Disguise’. The soft parts of: ‘She looks like an angel, walks like an angel’ are perfect for the warped blubbering that follows each rendition. Also, ‘Time to Say Goodbye’, as it is quite emotionally fitting and by the end I really am keen to leave.

This was how I spent my past week- filling receptacles up with substances that once looked so delicious and now I wish I’d never met. Dizzy without the fun bit and aching without the fun bit.

This left me time to contemplate samsywoodsy.com (you might have heard of it).

What direction was I to take my writing in next? What was I writing this for? What ultimate ambition did I have, if any?

I thought about this for about two weeks and then it hit me- SPAM.

I truly believe that there is little difference between SPAM and our good old friend- billboard advertising. The only real difference is the difficulty I’ve had in drawing hilarious moustaches on SPAM, being tricky as it is to do very much with the contents of an email account other than the most radical option of ‘forwarding’. ‘Forwarding’ is also difficult to do with a 13 by 26 foot poster.

The essential similarity of the two is that they share the strategy of completely random ramming of product information into the information/literal highway in the hope that ‘people-might-look’.

Therefore, you will find me (in the format of samsywoodsy.com), throughout the comments of all Facebook and Twitter pages that you might happen to encounter.

My comment will be: ‘Even I Don’t Know If I’m SPAM’, which will then link to an article from the site. This comment denotes my innocence on the matter.

My ambition is now evident- I want you all to look at me. You could probably tell by the way in which I sing as I vomit.

Aside from ‘Waiting For Ambition’ (https://samsywoodsy.com/2013/02/20/waiting-for-ambition/), as I lay upon my sofa, essentially just leaking, I also felt the need to go outside for the air that is fresh.

Walking down (or up- I have no idea) the high-street I realised that I was out of the house at the same time as those people. The ones that walk slowly and constantly look surprised by the smell.

It made me glad that I go somewhere to work for a living, because I don’t think I’d be able to mingle like this every weekday. I saw two men having a conversation purely through pointing. I think they were arguing.

If you ever encounter these people- it’s probably because you’re vomiting and you should hurry home to sing some more songs. I’m trying to make Johnny Cash’s ‘Jackson’ work, but it doesn’t seem to suit the format. Cash never suited ‘vomity’- he preferred to wear black.

For next time, I hope to write about a totem-pole that I am carving. You’ll find out by reading your Facebook timeline.

I’m making a totem pole. Conditions are perfect. If you don’t have these conditions…get them. Then make a totem pole.

Sam.


The Trouble With Experts Today.

Attempted murder is pretty tricky to get done, you know.

It’s tricky to only try to murder a guy, when his head’s right there in front of you. You want to alter someone…do things to their head. Most things, even just sighing on it will make them notice. An attempted sigh might not, but if you’ve managed that at least you’ve accomplished something.

I’m not sure why we’re talking about attempted murder, but frankly you’re freaking me out and I’m going to have to monologue until I feel comfortable again.

I jumped off a crane last night. It was- delicious, like eating…all the information in the world. Now that’s fairly esoteric to understand, just like the word esoteric, but it is true. It feels like you’re suddenly aware of everything, and this may seem fairly Buddhist of me but what that knowledge really revealed was understanding, but only understanding how much we don’t know and how much we don’t understand. And that this was ok.

Pretty Buddhist, as I said.

There’s a description of a person you don’t get much of… she was a pretty Buddhist. And she was being calm.

All I did was descend, not much to it but to pay the burly man seventy pounds, allow him to tie you up in lock-in straps that looked reassuringly used whilst disturbingly elderly. The fall made me pulse and breath, scream and swear, laugh and burst a blood vessel in my left-eye for which I am still looking for a good eye-patch. If it’s not a pirate-version, it’s for someone else because I only wear pirate eye-patches, largely because they go with everything.

Lemon-meringue bell-of-the-ball dress with boner-length heels and gold lipstick…goes perfectly with a pirate eye-patch. So does nether-the-neck nudity. Goes perfectly with a pirate eye-patch.

So I’m still looking.

I have some opinions about experts as well. You could probably tell that by the title.

What I want to distinguish here is the difference between run-of-the-mill, because-I’m-on-television expert, and the people that no-one is better at or more familiar in their subject matter whilst also potentially being an expander of their field.

You have those that are simply well-dressed and voicing their opinions by whatever means possible, and then you have those that are really too distracted being experts to offer their opinions to people like you and me. But of course you have the middle-ground, the beautiful grey area that has the forefront fellows like Stephen Hawking writing a book whilst he has a spare two minutes from sitting fairly still as a genius might.

I fucking hate it when people wade in without the proper equipment- the sole list of which being lack of time for the interview to really take place.

Experts are fucking busy, and you might realise that when you’ve got shit to do and your brain cells conglomerate to a point where they can actually conglomerate and if you’ve got some conglomerating brain cells then I can only try now to persuade you not to go onto the television and do some wading in. Proper equipment or not, there’s a time and a place to piss people of, so make sure your research rubs people up the wrong way. Unless you’re a masseuse. If you’re a masseuse, I can only say thank you and don’t you ever leave me be.

Leaving people be really tends to work, it’s just that incest sells more papers. Unless of course you’re a publicist that fucks his brother, in which case- you should probably stop fucking your brother-just in case he finds out. Other than that, leave people be and they will surely thrive.

Thriving matters.

I have a very small amount to say about a hell of a lot of things, so I’ll sign off with these three other important points that occurred to me as I was disjointedly writing this.

  1. He’s dull. He’ll only eat it if it’s within bread.
  2. ‘Calorie’ is, I know, a beautiful name for a female, aside from the regrettable association with chips.
  3. If we’re being poetic, then the sun is the greatest thing to have on your face. If we’re being traditional, then I’ll refer you to the fanny in the corner. This is preferable.

For now,

Sam


Of course I’m Asian, why wouldn’t I be Asian?!

Of course I’m Asian, why wouldn’t I be Asian?! Born in Britain to white/Jewish parents? Ok, sure that’s a pretty good reason, but other than that I’m talking mathematically.

Sometimes it’s good to talk mathematically.

Most people in the world are Chinese. Of all the nations in the world, the largest population is that of China- as you all likely know. Therefore, partly going by how I don’t use mirrors that much (yet am still somehow physically approachable) whilst mainly because most people are Chinese, the chances are that I’m Chinese.

So…y’know…sorry Tibet. I feel awful. And I feel Chinese.

And I guess that automatically makes me a dissident, which is marvellous. I have for a long-time-lately agreed that Tibet should be free, but as much as I believe in a free Tibet, I also simply have to insist on a free Texas.

I don’t think that people can really comprehend what Texans go through daily.

It’s called ‘lunch’.

‘Lunch’ in this part of the world isn’t a dinner party, or a day at the beach, or a piece of cake. It’s like being raped by foodstuffs that are yellow. Yellow or brown. Either way; they’re raping you and they’re French fries.

I once encountered a Texan that was so large that her arse drooped over the chair and down to, and fucking touching the floor of that restaurant. That Chinese restaurant.

Poor Texans. If you were to donate just £3 a month to an average Texan family…the money would probably be painted yellowy-brown and eaten.

How continental.

How very continental indeed.

However, this doesn’t diffuse the issue that I, like you likely are, am Chinese.

Suddenly Chinese.

I’m not quite sure how to take this. Of course, when I think about China, my cheeky little brain leaps to humorous racism- the kind we can all enjoy and indulge in. And then, what with myself being a newly acquainted Chinese dissident, am filled with a terrible and Chinese anger at myself.

The trouble is- I don’t have nuclear capabilities (though preferable, of course, to nuclear incapabilities), not even a little one for the weekend.

China does. They’ve got the guns and the numbers, whereas I’m 5 8″ and that’s about it (though I am of course selling myself short. My smile- is heavenly).

Oh.

It was parenthetical a moment ago, but now it rings through to me that it might be worth something.

I have a sunny day of a smile- whilst China has a population problem. There’s a defining quality- “I don’t have a population problem; you do! You numerous bastard!”.

I guess, therefore, thus, and…hence…that it’s a waiting game. We, the Chinese, will run out of China and either have to take a little more and a little more of other places until they don’t put up with people like me anymore and the Mutually Assured Destruction that has plagued us all since the beginning of all beginnings is made altogether too hasty (for my liking) by other states.

States like Texas.

It’s a waiting game, and all I have to do it be patient, and let my fellow Chinese multiply until the young, once more, take over and Tibet is returned and perhaps then, I can make my way back to being English.

I love being English. It suits me.

You should try it sometime; you’ve all got the figure for it.

Sam.


The Thing About Gaming

Gaming is fun, and gaming is good.

You can spend 3 minutes playing, say, Call Of Duty on PS3, shortly before having to hurry off and do something constructive. And of those 3 minutes, you can say happily to yourself: “6 kills. I got 6 kills. That’s good, because I got 6 kills”.

Bless us and our ‘6 kills’. We really are adorable in the strange things that matter so much for so short an amount of time. In the monumentally short-term, those 6 kills are everything to us, aside from the likely proximity of snacks. But it is merely short-term, as we do not reminisce about our 6 kills later that week:

1: “Dude I totally got 6 kills on Tuesday night!”

2: “Oh. Good.”

Does not happen.

There would also seem to be a gap in the game market for saving people. Perhaps it is because they aren’t real, and that somehow equates to them receiving a worthy death, or maybe it is because we know that although they die- they will be coming back.

I am glad re-incarnation is only suspected. Otherwise the death-rate would soar and instead of guys sitting in their homes thinking their ‘6 kills’ mantra- they would be sitting there saying to their wives: “Hey, y’know what? I didn’t get butchered today! Isn’t that a pleasant thought before bed!”.

Murder would seem to be the only thing the gaming world offers that has that feeling of being constructive. As if though they’re real terrorists that you kill six times.

What I think needs to be created is some translation of energy, so that the amount of hours that are put into games can have some off-shoot potential. So, say that if you could play a game for two hours, you power that games unit for both those hours, using a pedal mechanism that further goes on to store further power as well as keep your arse in shape whilst you sit on it.

It was often said that if kids actual spent that time learning how to play guitar, rather than tapping buttons on an computer imitation guitar, then they’d be pretty good at it by now. So perhaps making games as realistic as possible is the way forward, so that we actually know how to dismantle a terrorist should the occasion arise, or play guitar.

The thing about gaming is that it permits failure of grand schemes. People, in games, attempt and fail- sometimes dying. And they keep playing. And they keep going. Very few of us attempt this in real life during the minor moments, let alone the grand scheme, as failure is tragically unacceptable and success is the only thing that can ever be permitted to happen.

Lack of a decent amount of failure will make you sick and lame, and although we can not ‘save’ in real life, we should hold that one life precious and spend it because tomorrow might now happen. You don’t want to end up at that tomorrow that shouldn’t come as the pussy that didn’t jump out the window because you have some sort of pussy reason that your mind has desperately mashed together to permit you to not have to act up here and enjoy life for some fucking reason that seems so important at the time. The minute you’ve jumped, you want to do it again. But you won’t jump, and you’ll think of a bad reason why not when it comes to it.

Jump out of more windows. It’s good for you’re choice of shoes in future. You’ll want the sturdier pairs.

And find people with a grand scheme, or get one of your own. Then leave the house (preferably by window) and take that scheme down to city hall and slam it against the side of the building and say: “I’m 5 foot 8 and I have a scheme today”. You may attract attention, but that is a good thing because you have a scheme and you’re only 5 8″.

All in all, at least you won’t be playing irrelevant video games (they’re all irrelevant)- you’ll be making a scene downtown, with a scheme in your hand. And 5 8″.

With any luck you’ll fail terribly.

And then do something else till it works.

Sam


The Time I Interviewed David Prowse.

Yeah. I interviewed Darth Vader.
I had been doing some for work for a local radio station (106.9 SFM!) and I discovered that there was going to be a Sci-Fi convention at the local Town Hall. Following a Google’s amount of research I discovered that this was not going to be a small-fry jumble sale of comic books, figurines and bold t-shirts for those who might decide that day to wear his bright contrasting colours on his chest was this one. Entering the convention made this all the more apparent.
Indeed this was a fairly weird situation: the comic books and figurines being somewhat over-shadowed by a patrolling and ‘life’-sized Dalek named Dave, who everybody called Tim. You know, one of those- ‘we call Dave Tim’- situations. A host of Ghostbusters, who actually had a cigarette break as though mid- exorcism, were also present, along with a full-costumed Darth Vader and a fit-bird named…Tracy (for the purposes of giving her a fake name) who was ruling every nerd’s day by breaking out their temptation glands and overwhelming even the scent of well-matured comic book ink with her Dalek-style skirt and wearing thick glasses- suggesting a base ability to read. How appropriate.
Each of these components of the day were a pleasure to be around- that general good feeling that is enjoyably endured when people are together and know that they can get on well. It is an excitement of that certain blend of social-safety and curious thrill, both mixed here with the presence of an attractive female geek with thick glasses and a nose-piercing all lent an essence of cheerfulness to the large gymnasium and that teen-like hope that ‘she might look at me’.
There was also a sense of awe in the room. Why that was- I couldn’t tell at first, so I simply wandered about the stall and the tables, holding a microphone so as to appear worth paying attention to (I enjoy being looked at; a rare opportunity in radio). And then, as a crowd happened to part before me, I saw Mr Prowse sitting somewhat awkwardly behind a minute table, hunched over it with a pen in his hand and a stern expression upon his face. I made my way over to him so as to get right in his mouth, microphone-wise, and to avoid any encroaching nerves. This was an enlightened move, as it turned out that David Prowse was in demand, and David Prowse had a stern expression not only on his face- it was also behind it.
Standing by his table, I leaned forward and introduced myself-asking if I could record his voice for a sound-bite for the radio-station. This was not the most noble of journalistic endeavours, but fuck that- I’m young and plan to make many mistakes from which to learn from. At first he agreed, but must likely have misheard owing to his next action of shaking his head and turning away as I gestured the microphone towards him and offered him a quote to use. “I don’t do sound-bites” he kindly hinted as he faced distinctly the fuck away from me. I paused for a moment before deciding that I should press my advantage (my sole advantage being that we were still in the same room) and asked him if I could interview the gentleman. He agreed, though was still somewhat offended in his behaviour towards me: snapping slightly and offering me a withering tone of voice and, eventually, a declaration that I was in his mind: “The worst-prepared interviewer I have ever had for 50 years”. I agreed.
In going to the event I had intended to review the scene before me (and before anyone else for that matter) and retrieve a community-based sound-bite from an old film star who was visiting the town. I had no pre-prepared questions for the man, no insight into his distinguished career, and no idea that he was also a bit of a stubborn and heavy-tongued old man. Realising that he was more in the mind-set of looking for a fight (someone to pick on) I excused myself by saying that it was clear I was wasting his time and that I didn’t want to bother him any longer. He then offered me the chance to bugger off and actually come up with some questions of slightly more depth than “Do you like this gymnasium?”. I took him up on this and left to do so.
On returning I spoke to him for about an hour, inter-cut with the average fan/autograph hunter looking to tell him how much they loved him as the Green Cross Code man. He, himself, was somewhat more keen to avoid this history. Body-building, however, was something he was very pleased to be speaking about, and revealed to me that the only reason he didn’t enter the Mr Olympus competition was owing to the time a Mr Britain judge told him, aged 20-odd, that he would never win owing to having ugly feet. On this, I could not agree, but could also not see the feet in question, so I therefore took it upon myself to judge his ankle, which appeared highly attractive when considering his age, gender and arthritis. This was also when I realised that my mind was wandering and I should return my attention to once-muscular, once-bespectacled actor from the two huge films of ‘Star Wars’ (though apparently there are other films in this series, not that I pay much attention- I only know what a Dalek is owing to once meeting this girl in a Dalek skirt at a Sci-Fi convention- I’ll tell you about it sometime) and ‘A Clockwork Orange’.
In the latter film, you may recognise Mr Prowse as being the huge man with thick-rimmed glasses that acts as the protector of the wife-raped husband/writer who endures a vicious attack by Malcom McDowell’s character and his cronies. In asking Mr Prowse of which of his directors he appreciated working with the most, he stated that Stanley Kubrick would probably have to be his choice owing to his artistic integrity and his commitment to his work. That wasn’t to say that Prowse wasn’t rude to Stanley Kubrick too. I could easily tell by now that Prowse was the sort of man that would be very blunt to the point that you would be offended if you didn’t know him well.
Following a slight dispute with Kubrick over his heavy breathing (following his carrying a man in a wheel-chair down some stairs) during a quiet scene, Prowse confronted Kubrick and put it as: “You’re hardly known as one-take Kubrick”, to which Kubrick apparently laughed, possibly because Prowse was massive, possibly because he was awesome. I like to think a little of both. Evidently, being slightly terrified will do a lot for you. Kind of like vengeance- but that’s another tale.
Fear, or anger, may have swayed Prowse into the personality he was eventually swayed into. Being born into extremely poor circumstances, and then developing an arthritic disability, may have caused him to become as blunt as he was with me. I’m not saying that his arthritical-youth caused him to dislike radio-journalists, but it may be a cause for him to be blunt with un-dedicated journalists that were unwilling to prepare themselves and put a maximum of effort into interviewing anybody.
It was this point, the point of positivity, that he focused on as our interview drew to an end. “Why not”, he asked genuinely, “should you not go about something will your all? Devote yourself entirely to whatever is before you, be it body-building or acting or journalism because that’s what you it always deserves!”.
In the end, he told me that the resultant effort I had put into the interview had revealed to him that I was an intelligent young man that was going to do well in the business, something I enjoyed being told very much. I thanked him for his time and generosity and we shook hands.
I left the gymnasium, past the Ghostbusters, and made my way back to the studio. I hadn’t brought the microphone, but had persisted with the interview so as to prove that I could do a good one, which Prowse had evidently agreed with. I had, however, garnered a sound-bite from Dave (Tim) the Dalek. He literally spoke out of his arse.
Damn that girl was sexy. Tracy Bulmer- that’s a good fake name. Unlike mine. Mine’s real.


The Evolution of the Vampire in Culture.

Before we look at Vampires in culture, we have to realise that literature is not inspired only by other literature, for in the culture of our time- a book can be inspired by a film, and a film can be inspired by the preceding culture. Nothing wrong with that. That’s how things have always been, essentially. Stephenie Meyer (‘Twilight’ author) herself states that she wrote the series whilst seeing it in her head as though it was a movie.

However, the first vampire of the screen, and perhaps one of the more horrific, was the ultimate and grotesque ‘Nosferatu’- a terrifying and silent presence that was the immediate benchmark for scaring the good grief out of people in the audiences around the globe. This was Vampirism’s, and indeed Horror’s, most remembered early film pieces.

But let’s go right back to the beginning of vampires in literature. Not so far back as to take note that they were born from the mythology of a people telling tales of unholy beast-like things, but I guess I’ve just done that, so we’ll carry on into literature.

This is important, owing to where the genre of vampire fiction has ended up, particularly considering Twilight. Lord Byron, of literature, mythology and the side of a can of ‘Relentless’, is considered to have been the inspiration for the original vampire of literature- ‘The Vampyre’ specifically, making the nocturnal neck biters an utter ink-incarnation of romanticism. Unbearably beautiful, withdrawn and brooding, moonlight-pale (ironically owing to ‘cure’ of blood-letting), the panache vampire was short-lived in popular culture, till something similar rose from the pit in the form of that iconic identity; and it had a cape.

This is the vision of a vampire indulged in by the Halloween-ers each October, the standard of Vampirism: slick hair, cape, fangs and, of course, pale. This is all thanks to the hugely popular cultural offering of Bram Stoker. And so from there, Vampires have become an aspect present as a character or metaphor in mass culture, rather than mere mythology.

Here, the evolution to ‘Twilight’ becomes clearer in its roots, but it is still a great leap from the evil and emotionless character drawing blood from the throat of a (typically) white-dressed virgin on a cold night in an alleyway, all the way to the high-school setting being the transformed castle of a misfit that no-one can possibly understand and isn’t good at sports.

By this, I am referring to the manner in which the teen-drama has penetrated the genre like nothing else has ever been, even to the extent of spawning near-identical television series such as ‘True-Blood’ and ‘Vampire Diaries’. Though all these share the same teen-focus that fuels them, and makes the box-office intake immense. It is the latter point that is most important here, as its box-office success is of such substance owing to the inspiration it received from movies.

Take, for example, ‘Lost Boys’, in which pretty boys go through the trials of teenage life, avoiding social situations and stakes. Modernised. Appealing to the young. A perfect breeding ground for what would follow a few decades later.

But why teenagers? Thinking  led me to the revelation that the link between the vampire and teenagers is what might be the most blatant aspect of them both. Nothing can ‘brood’ quite like a teenager. The need to stand out/away from the crowd of people being ‘pathetically’ happy is in abundance with the teenage population of every population. The premise of the idea is that most teenagers actually have no reason to be outside of the norm- they are very average owing to being essentially still children and therefore rather dull- the opportunity to escape from the awkward reality of adolescence and for an hour and half just pretend that there is a good reason to be moody is…bliss.

And this, noticed by the regrettably  talented people that write and produce these new vampire stories, is only too easy to achieve, particularly when this idea is twinned with another of being able to have a beautiful cottage for absolutely no reason (see the latest ‘Twilight’ movie.

But ultimately, I must note that the reason that Vampire literature and films are the way they are is owing to very simple key business equation. Find the audience that is similar, or make the product similar. And now here we are. But it’s not a bad thing- as the culture is simply extending, though more for profitable reasons that artistic, but then the greatest films and books of all time wouldn’t have been made if they hadn’t had an invested interest.

So now we have Twilight, enjoyed by millions, but as well as this we have another aspect added to the culture. We now have something to mock, hate, and hold as a standard of what we don’t appreciate in culture. If it weren’t for this we wouldn’t have a low-point to keep ourselves from.

I’m not going to watch it again though; no matter how much she wants to.