They’re going on my rocket, with or without a highlander to blast upon them. Or perhaps we can just position them near the rocket’s main window as we leave it open for a breeze.
Wind-chimes, meanwhile, will not be welcomed onto the rocket, as whilst there might be no more magical a sound than metallic wind-chimes doing what they do in the breeze as they introduce a fairy or a spell takes place, there is no greater relief than when the chimes are grabbed and silenced at long last.
Because it stirs us up from beneath the kilt and makes you wilt like the pansy alien you really are.
Plus tartan kilts.
Plus salted porridge.
These’ll need some development…but, yes, I am ultimately putting Scotland as an entity on my rocket.
And very few nations are going to get that good favour.
This is the series of articles in which I detail all the things that I feel deserve a place upon the rocket we send into space so as to impress aliens, for good and bad (below the waste or not). There are items and concepts that I feel represent us well as a species and as hosts of a planet, either by summing us up well or simply being awesome enough that I want aliens to know about it; which is why the Maori Haka and Abba’s Mamma Mia made it onto the rocket in the last article.
Tartan has a place aboard the rocket, in every single format that it could possible take.
The kilt (obviously), trousers, tea pots, tattoos, shoes, lingerie and total-tartan-suits…all are a bewildering exclamation of proud nationalism via a pattern resembling the London Underground map coloured in by Microsoft Paint.
It also looks like a futuristic and complex array of wiring/programming that would hopefully be as incomprehensible to aliens as the distinction of tartan from clan-to-clan is for me.
Perhaps we could have tartan rocket? Just crack open the tartan paint.
So, whilst the tartan might not be the most worthy of things on the rockets, it still fits in with the theme of today.
Look, I’m struggling to continue with this seeing as that although this article has this Scottish theme and its worthiness for a place on the rocket, I simply want to write about something else now.
I prefer to urinate in the countryside.
That’s what I’m writing about now.
I imagine it’s like golf – the main benefit being that it’s outside and one can enjoy the scenery whilst peeing in the sunshine or moonlight.
However, I have an ulterior motive for when I pee in my garden, and the woods, and the meadow and ever-elsewhere with particular focus on being near a fox den.
I believe we must take pride in our species in terms of output, essence and achievements, and promptly rub it in the face of all other life on Earth (before then doing all this again on a space-bound rocket).
So, I pee outside with the hope that a fox, or a deer or a badger might come along, sniff my abandoned puddle and realise in their mind: “Hmm. That guy…”
And whilst I enjoy being natural amongst nature, it’s mostly the fact that I want to be of some effect in the daily life of a fox I’ve never met. Perhaps they’ll pass the knowledge of that Sam-Man-Pee down to their cubs and I’ll become alike to the boogieman; which is fine by me.
I’d consider it a healthy level of respect for local foxes to sniff my pee and move on.
And nobody need nibble the other, I’m not eliminating the food source of discarded pizza boxes and stolen hats, and I don’t write disparaging comments about foxes on Facebook. It’s all rather mature and long may the pee sniffing continue – especially on the rocket (another reason for having the window open).
Wearing a kilt would make peeing outside easier. A pleasure even, though perhaps not a charming one.
The additional benefit of the kilt is the incredibly effective method of lifting it and waggling the highlander’s lowlands at opponents across the valley, causing both sides to become either truly enraged with a willy-inspired bloodlust that can only be satisfied with a nice bowl of cooling porridge to dip oneself in, or suddenly discovering that you have a tremendous amount of genital-respect for one another which can only be satisfied another cooling porridge dip, though this time without salt.
Drizzle would, I once assumed, be a natural soother of highland tempers and a subduer of spikey temperaments, until I realised on a drizzly mountain side one winter that I was going to severely impediment the progression to future birthdays of all those dryer than myself at that point.
Drizzle has a funny way of making the drizzled-upon people redheaded and tartan and the drizzled-upon flowers purple and spikey.
The Thistle will be the official posy of planet Earth, unless somebody can provide a Sunflower prior to blast-off, as I feel still that a Sunflower is the flower of Earth with the best chance representing flora in a fight against fauna (Venus Flytraps excluded owing to being sneaky and dishonourable). A Thistle might be a more honourable flower, but a Sunflower looks like a 3-year-old drew it and it could feed a family of 8.
The salted porridge deserves a place upon the rocket too, more so as a metaphor than as a meal in and of itself.
“Thank you, but does that house provide any salt to top with?”
“If you’d be so kind, as it’s just that I do so adore porridge, but I do too tend to find that it’s just not bloody horrible enough!”
Sometimes, it’s worth doing something hard purely on the basis that it’s hard.
I once carted a pumpkin around for a few days with the sheer hope that doing a tough-to-do thing would benefit me in terms of true-grit, but I forgot about the idea and left the pumpkin on the stairs (unaware that it had been penetrated and the snails I was saving to cook has escaped and had a jolly good go at it).
My forearm power grew and I’ll swear those snails tasted a tad of pumpkin, but on the whole I became (following many other similar contributions) perpetually prepared to have a bad time for no good reason.
Salted porridge is much the same.
Horrible now, not so horrible next time.
And the alien life would see this through our rocket’s open window, as we waggle our tartan erections out into deep space from beneath our kilts, a bowl of salted porridge somewhere near the mouth – making us grimace in drizzly determination; all to the tune of the magnificent bagpipes – making us grimace in ecstasy as we realise that Earth (in particularly Scotland) is better than your pathetic and weedy little excuse for a planet.
And now we’re taking Mars too.
You might be familiar with the entrenched British radio stalwart entitled: “Desert Island Discs” in which prominent folk from various fields are interviewed on the hypothetical pretence that they are going to be marooned on a desert island.
On this island they are permitted 8 songs (usually music), 1 book and a single luxury item; and this is to do them till eternity isn’t eternal anymore on this desert island.
A charming concept and a wonderful way in which to see more into a person as they unveil themselves via the vital songs in of their life.
A tremendous way to sum up a lifetime, but a hard task when summing up the Earth.
What songs could sum up the Earth and all its previous? Are we stuck with 8 songs to detail our planet’s past? Do the dinosaurs get any sway in our say?
It’s probably worth explaining why I’m bringing the planet into this.
I can remember being told that one day all life in the entire universe was going to end, but not before our sun gave up the galactic ghost and Earth went bang.
I was very young and slightly shaken (almost crapped myself) until it was explained to me that the Earth was not due to explode in a whirl of mountains and continents and pets until millions of years after my own comfortable bed-bound death.
Though quelled, I still held the knowledge that all this was temporary and that there was going to be a final day.
And so, from those young days to this, I have pondered at times about which things would be a good way to kick off the final day; activities and playlists, guest lists and buffet items.
And then, as my understanding of probable alien life came into being, I realised the need to broadcast our best and brightest to the cosmos; for a whole host of reasons including but not limited to: scaring the sweet shit out of Johnny Alien and ensuring they heard the lovely melodies of tales about getting-the-girl, being-so-glad and telling-all-the-world.
And I’ve been narrowing it down.
Yes, it’s another series from me, and whilst a new one comes, please don’t assume the others are dead. Perpetually IN is not quite out of vogue, Matters That Matter still matters and Brief…Therefore Witty still has some epigrams to launch before lunch, although it has become increasingly clear as to my answer in that famed personality quiz question: “Do you find it easier to start new projects or finish up the details that’ve been passed on to you?”
Never pass things on to me.
Especially a trumpet (I hate it when a person plays a brass instrument and holds eye-contact with me. Gives me the willies. Woodwind doesn’t seem to bother me though).
Especially when you’ve just blown it at a group of post-conch-blowing Mauri in the 1600’s.
Onto the rocket goes:
Having viewed much of the world with a fairly sturdy stomach, it was not till I watched true Maori of New Zealand perform the Haka, barely a few feet from my face, with as much intensity as a human can muster and hopefully as much as an alien can bare to stand.
The tattooed face isn’t really an important factor in this, because we’re talking about a wielding of the face that is such a tradition that I truly believe that it has become a genetic blessing on the traditional Maori people.
The bulging eyes, the enormity of the limbs of the ilk that might not grace the cover of GQ but would certainly cause a fellow to quiver in recognition that this is a matter of dashing brains upon the beach, and the tongue that whips with every sincerely meant gasping inhalation of the imminence of battle in which you simply can’t wait to take part.
The slapping/clawing of the legs and chest, the slight and delicate motions between in which genuine respect is given to some hairy sun-stealing deity, the waving of weaponry and the warrior’s deep-shrieking vernacular of a people that have no issue with your puny European musket because we’re used to hunting giant 12-foot Moa birds with huge glowing green rock-clubs, so beware me as I blow my conch (put the trumpet down).
There is something so utterly awe-inspiring about the Maori Haka that I truly believe it is amongst the best of what our species has to offer, and we must look at things in terms of an entire species from now on, otherwise the aliens won’t take our rocket seriously.
I can easily believe the Haka can make you fearless. For how can an expression such as that pictured (just look at the picture…) have any concern over so fleeting a complication as a Martian death-ray?
It is, however, crucial that this Haka be performed only by Maori. Even if they’re 1/24th Maori; that’ll do just dandy too, but it’s not going to be a European guy doing it.
I’ve seen the Kiwi rugby team with their Haka, and the Maori contingent is all of what I have expressed above, but the tall blonde guys joining in too – it just doesn’t work for me. I don’t believe their Haka. It seems too ‘awfully-hope-this-isn’t-too-much-of-an-inconvenience-if-score-a-try-awfully-very-much-sorry-thanks-sorry’. I’m sure they could do a marvellous Scandinavian/Viking battle cry, standing all moody whilst the rain runs from the battle-axe, plus I’ve never seen an Asian or African guy do the Haka, but I’m going to have to choose a Maori guy (and girl, sure) for the Haka here.
I’m not saying European guys shouldn’t do it, I’m just saying it’s not getting onto my rocket.
I’m trying to make inter-galactic friends here.
There is also that message of the Haka, which is the indomitable threat of an ultimate victory expressed via the eyes and lashing tongue in the Haka, but written here it is:
“The worst thing you can be is shit. And I’m going to defeat you in battle, kill you hence, I’m going to eat you, and I’m going to turn you into shit. I will turn you into shit. And I’m keeping your boat.”
A powerful message we can all relate to, especially since I’m in favour of eating some people. Not all people, but explicitly people who continue walking towards our planet once having seen the Haka (because we’d better eat them; they must be insane to keep marching after seeing that).
You might now be starting to see how Desert Island Discs and my rocket deviate from one another.
Next up, onto the rocket goes:
‘Mamma Mia’, by Abba.
Perhaps this is the battle cry the Scandinavians could be doing whilst the Haka’s happening next door?
Of course I’m referring to the single song, not the entire musical. Not the musical at all in fact, but undoubtedly that glorious piece of lyricised human condition known as ‘Mamma Mia’.
Crickey it’s a corker.
A tale known by those who have loved, lost, and rekindled, lost, loved some more, and therein having actually done loving properly; it is a shame of our childish species for which we are very happy to indulge in this equal to the many times we like to put that record on and get all excited at that opening piano staccato that is in imitation of a tick-tocking clock that only tick and tocks onwards and past you whilst you’re still standing there – very much so still fallen for that person and very much so still hopeless to do anything about it.
Mamma Mia – here we go again, a mantra for those about to whirl about in a familiar romance once more, as well as those about to put ‘Mamma Mia’ on again.
Here we go again.
Lyrically, it sums up the side of that human condition that the poets try to nail and the scholars try only to avoid, whilst musically it is simply very fucking-on-the-nose as a song everyone likes.
It could always simply be that I’m a tad of a nostalgic romantic at heart and this is sheer indulgence on behalf of myself, but I don’t see how that would matter either way as it’s my rocket and you’re all my species (I’m fairly possessive) and this is the way we’re doing it.
I just adore that moment of hushedness, in which the staccato returns and the humble “Mamma Mia, here I go again, my-my how could I resist ya” – in which the hushedness represents that intimate chat with oneself in which you’re too stupefied by love that you’re unable to answer your own internal monologue. And the culmination, the CULMINATION that …..CULMINATES to the point of saying simply: “I should not have let you go”.
I feel that “Awww” is a splendid way of summing this song up, and in doing so, goes a great length in summing us up also.
The human species: “Awww” and (Haka-induced) “Arrrggghhh!”
That’s what goes onto my rocket.